Examiner | C-Press
I'm amazed I made it through the interview with a mere 2 mentions of Grace Slick. That's will power at work, friends.
Documenting the trials and musings of a young man wholly invested in the decorum of the world, the dress of its people, and why any of it matters in the first place. As fashions come and go, we hope the driving pulse stays the same. Realities change and confuse, while the soul holds the truth.

Preston Manser has me very excited and inspired...taking me back to my love of Alex and Lee. The summer poncho is equally wonderful, and I could see any one of Seattle's young, fit and fashionable cyclists wearing one with his skinny jeans rolled to the knee and brightly colored socks.
The Marrakesh Kaftan and Hail Caesar Toga resonate very strongly with me. I currently own two kaftans that I wear around the house, and these variations promise similar comfort and style. The MC of 1999 would have loved the lace-up neck on Marrakesh, while the MC of today is less keen on that feature and more drawn to the embellished neckline on Hail Caesar. Either is a bargain at about 20 dollars.
Lucio di Roma had it figured out. This is stunning. And while the styling of the model's hair and glasses tells us exactly which decade this was printed, the suit itself transcends any number of decades and could make perfect sense today.
And yes, I believe every word. I'm certain things DID happen when one wore ELEGANZA!











“I’ve been driven by color with this new collection. Pairing a playful palette with pieces that speak of the tailoring traditions I love so much has offered a steady stream of thrills. For this new collection I’ve vowed to present styles that are particularly pragmatic and wearable, without ever compromising opportunities to fully exploit the beauty of complex fabrics and unusual forms. Simple but striking short sleeved shirts are a staple but called for something special like detachable paper collars; summer walks ask for cropped, trim-legged trousers – cigarette-thin to keep it refined; and the decoration comes from the past –ascots and skinny ties in luxury brocades are tied beside watch-ready waistcoats cut from my grandmother’s rice and flour sacks. I continue to design for the Modern Gentleman – the guy who not only knows why, but how a life with style can truly matter.” - MC